This anthology gathers core writing on the subject of critical race theory—a movement that looks at how the law is complicit in the creation and maintenance of oppression along the intersections of race, gender, sexuality, and class.
Zeynep Tufekci’s book spans the Zapatista uprisings in Mexico, the Occupy movement, a Turkish coup, Arab Spring, fake news, and more—and provides the most lucid analysis of the ways digital networked media has both enabled social justice movements and been used to thwart them.
It’s difficult to describe this collection of essays; I’m not convinced I should even refer to them as essays, exactly, as they often feel more like lyric than prose.
This sequal to Parable of the Sower follows Lauren Olamina and her Earthseed community as it grows—and then is viciously assaulted.
Lauren Olamina lives in a walled neighborhood in Southern California; it’s dangerous to venture beyond the walls, where there’s little work, less food, and no law.
Turner’s The Sea and Summer takes place in far future Australia, where the greenhouse effect has led to eternal summers and encroaching sea level.
Robert Gellately’s close history of the Nazi period focuses on one particular question: how much did ordinary Germans know about what was going on?
Claudia Rankine’s book-length lyric poem is adorned with an image of a torn black hood—a reference that could be any of the many black men and women who have been abused by the white state.
The most talked-about feature of Whitehead’s novel of the underground railroad is the railroad itself: reimagined as an actual railroad, with tunnels and tracks and steam engines and crazed conductors, it makes for stunning, cinematic imagery.
It’s a refrain of late to say that this—Margaret Atwood’s most famous book, now thirty-one years old—is suddenly relevant again.
More than three decades after this collection was first published, it remains as critical, as relevant, as unremitting as ever.