An autobiographical novel, in which Kertész addresses his childhood in Auschwitz and Buchenwald. Kertész’s writing is spare and damning, akin to the filmmaking of Michael Haneke. more
The typographer’s bible; a book that is never too far from reach. more
Pynchon’s early stories are facile at best, but the introduction to the collection—in which Pynchon addresses his readers and talks about his writing—is invaluable. more
A rare object—a book on typography that is as beautifully written as it is designed. more
Coetzee’s latest novel is written as two, entwined diaries—his own and that of a younger woman who he comes to pass the time with. Subtle and capable typography allows the trick to come off. more
The classic introduction to literary theory and a capable and somewhat subversive argument for Marxism. more
An academic thesis that applies the traditional methods of close reading to television commercials. more
The classic novel of authoritarianism. Also, the Bush administration’s how-to manual. more
Pynchon’s famously difficult masterpiece. I destroyed three copies in a (failed) effort to grasp it completely. But despite the challenges, the story is enormously charming; I have very warm feelings about the time I spent with it, and I still think of Byron each time I have to change a bulb. more
Klein expertly and devastatingly reveals the history behind a model of capitalism that first fed on disaster, then fomented it. (I tossed the jacket, on account of it being unbearably ugly.) more
Coetzee’s most important novel, sadly more relevant everyday. Perhaps the writer I most admire. more
A bizarre dystopia in which the elite voluntarily amputate their limbs and have them replaced with high performing machines. Deeply misogynistic. more
An introductory collection in literary ecology, the movement that aims to do for environmentalism what gender and race studies did for civil rights. more
Meeker argues that the destructive aspects of western civilization are founded on the tragic mode, while the comic mode offers a path for redemption. The foundational work of ecocriticism. more
Jeremy Keith on everything you need to know about the web’s new markup language, from semantics to strategy.
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