A revisionist history that argues that we traded away much of our humanity in exchange for the little bit of security that agriculture promised. This book completely changed the way I think about food. more
A beautifully designed book that has served me well in the kitchen. Especially helpful when you belong to a CSA and need to decide what to do with the week’s pound of turnips. Waters also includes helpful notes about stocking your pantry and what equipment to buy (or not buy, as the case may be). more
The fourth in Tom Philips ongoing project to recompose an old, unknown Victorian novel. The title comes from the original text (A Human Document) after the middle part has been covered up. Philips works through the book, painting, collaging, scribbling over and cutting out parts of the novel to create a new text on top of it. Weird and fascinating and beautiful. more
Infuriatingly good. There isn’t another writer alive who could take the obscurities of subprime mortgages and credit default swaps and deliver a page-turner like this one. Lewis’ storytelling abilities come at a price, however: I now fully understand the extent to which Wall Street is completely and unforgivably fucked. more
A thorough and beautiful guide to typography and typesetting, worthy of any designer’s desk. more
An academic thesis that applies the traditional methods of close reading to television commercials. more
In this follow-up to Here Comes Everybody, Shirky argues that we’re evolving from passive consumers of Seinfeld to creative makers of everything from lolcats to open source software to real-time news reporting. One can’t help but hope that the death of television is as nigh as he predicts. more
Short, surreal little tales that experiment with the form of the story and often take the library as their subject. more
Davis’ shorts are very short—sometimes only a paragraph—but they leave impressions larger than the tiny space they consume. The juxtaposition of bold, centered type and handwritten borders on the cover is a near perfect representation of the stories therein. more
Meeker argues that the destructive aspects of western civilization are founded on the tragic mode, while the comic mode offers a path for redemption. The foundational work of ecocriticism. more
The book on the new(ish) field of content strategy, or, how we’re going to save the web. Required reading for anyone interested in how words can reach their potential now that they are freed from the page. more
Sennett defines craftmanship as the desire to do a job well for its own sake. In so doing, he frees it of the bounds of carpentry or metalwork and extends the work of craft to that of the programmer, the doctor, and the parent. And he restores materialism—long maligned as being complicit in capitalism’s ills—as that which looks to “cloth, circuit boards, or baked fish as objects worthy of regard in themselves” (page 7). more
Tharp’s treatise on creativity applies as well to writing or design as it does to dance. more
Proust’s meditations on reading, and the gifts that writers leave their readers. Best read slowly. more
Bill McKibben indicts the current economic system for it’s single-minded pursuit of “more” without regard for whether or not it is (or can be) “better.” The contemporary companion to Schumacher’s Small is Beautiful. more
The first book on industrial design. A lovely, timeless book. Dreyfuss scattered the pages with his sketches, making for a playful, very human read. more
Jeremy Keith on everything you need to know about the web’s new markup language, from semantics to strategy.
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