Ways of Being
James Bridle

Amid a drive for more “artificial” intelligence, James Bridle here asks what counts as intelligence, and then reframes fears about a future AI takeover into more productive—and present—ends.
Amid a drive for more “artificial” intelligence, James Bridle here asks what counts as intelligence, and then reframes fears about a future AI takeover into more productive—and present—ends.
In the third book of the Locked Tomb series, Nona lives with her friends Camilla, Palamedes, and Pyrrha in a cramped apartment in a tall building in a city menaced by a great hulking creature in the sky.
Let’s engage with office culture as it really is, not how we imagine it used to be.
A world-ending weapon that makes its targets “go away” has, perhaps predictably, gone awry and left large parts of the world uninhabitable.
Drawing from safety practices in transportation and medicine, Sidney Dekker outlines how to (and how not to) create a culture of trust, learning, and accountability.
Grady Kendall is biding his time in Maine, living with his mom as the pandemic swirls around them.
Coaching for change.
Mouse is a young cyborg stud who plays a stolen sensory syrynx—an instrument that projects sights, smells, and sounds all at once.
A Jungian psychoanalyst and self-named cantadora, or keeper of stories, Clarissa Pinkola Estés here collects myths, fairy tales, fables, and many other stories old and new about the inner and outer lives of women.
Three workers reluctantly take jobs at the factory.
In Craft in the Real World, Matthew Salesses sets out to upend the traditional fiction writing workshop—which was established by, about, and for white male writers.
Marie is seventeen and a giant of a woman, taller and broader and stronger than those around her.
It’s 2203, and Olive Llewellyn has traveled from her home on the moon to earth, where she is on a book tour.
Late one night, at a luxury hotel reachable only by boat, someone scrawls Why don’t you swallow broken glass on a huge picture window.
An unnamed girl lives in a cave with her mother, in a wild wood warded against danger and those who would seek them out.
In a series of interviews that took place in the years 1985 and 1986, journalist Bill Moyers spoke with the famous scholar and teacher of mythology, Joseph Campbell.
On holding space for ambiguity.
In this collection of essays, a group of scholars consider Le Guin’s The Dispossessed in light of it’s utopian, anarchist, temporal, and revolutionary politics.