For a typographer, reading books can be difficult. If the page numbers are clumsily positioned, then the story has to be very good—to soak up the constant irritation of this mishandled detail. There is a special pleasure that comes with a book that is good in both content and typography. And I think you can often judge a book by the space between its lines.
It is right that the murder of many people be mourned and lamented.
Even the best weapon is an unhappy tool.
What do they do, the singers, tale-writers, dancers, painters, shapers, makers?
Five principles for embracing uncertainty.
Where to give all your precious fucks.
Necessary writing about making a living world. Sign up for free, or become a sustainer.
subscribeOn The Tombs of Atuan
On Two Cheers for Anarchism
Reading is the art of attention.
On Why We Fear AI
On Why We Fear AI
by Ursula K. Le Guin
by James C. Scott
by Nina Allan
by Nina Allan
by Hagen Blix and Ingeborg Glimmer