Fish argues that the building blocks of writing are sentences, and that if you want to write a good one, you first have to learn how to read it. An approach to close reading, but instead of attending to literary illusions, you listen to the rhythm, structure, and art of the sentences themselves.
It is right that the murder of many people be mourned and lamented.
Even the best weapon is an unhappy tool.
What do they do, the singers, tale-writers, dancers, painters, shapers, makers?
Five principles for embracing uncertainty.
Where to give all your precious fucks.
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subscribeOn The Tombs of Atuan
On Two Cheers for Anarchism
Reading is the art of attention.
On Why We Fear AI
On Why We Fear AI
by China Miéville
by Ursula K. Le Guin
by James C. Scott
by Nina Allan
by Nina Allan