Literary Theory
An Introduction
by Terry Eagleton
The classic introduction to literary theory and a capable and somewhat subversive argument for Marxism.
The classic introduction to literary theory and a capable and somewhat subversive argument for Marxism.
John M. Ellis has argued that the term “literature” operates rather like the word “weed”: weeds are not particular kinds of plant, but just any kind of plant which for some reason or another a gardener does not want around. Perhaps “literature” means something like the opposite: any kind of writing which for some reason or another somebody values highly.
Similarly:
New typography thus resisted the idea that literature should enjoy a separate, special status: it was another design problem. And perhaps more interesting than “literature” for new typographers were industrial catalogues and other texts with complex problems of ordering and configuration to be resolved.
Of course, what you value reveals a lot about who you are—and what you want of the world around you.
It is right that the murder of many people be mourned and lamented.
Even the best weapon is an unhappy tool.
What do they do, the singers, tale-writers, dancers, painters, shapers, makers?
Five principles for embracing uncertainty.
Where to give all your precious fucks.
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