1.29.11
Forgotten
A reading note
On learning:
Grudin, Time and the Art of Living, page 110Few fallacies are more dangerous or easier to fall into than that by which, having read a given book, we assume that we will continue to know its contents permanently, or, having mastered a discipline in the past, we assume that we control it in the present. Philosophically speaking, “to learn” is a verb with no legitimate past tense.
I’m amazed at how quickly I can unlearn a book read last year, let alone years ago. I think this is part of the attraction of a physical library for me: it’s a record of what I’ve read before, without which I would almost certainly forget. See also:
Bayard, How to Talk About Books You Haven’t Read, page 47Reading is not just acquainting ourselves with a text or acquiring knowledge; it is also, from its first moments, an inevitable process of forgetting.
Even as I read, I start to forget what I have read, and this process is unavoidable. It extends to the point where it’s as though I haven’t read the book at all, so that in effect I find myself rejoining the ranks of the non-readers, where I should no doubt have remained in the first place. At this point, saying we have read a book becomes essentially a form of metonymy. When it comes to books, we never read more than a portion of greater or lesser length, and that portion is, in the longer or shorter term, condemned to disappear. When we talk about books, then, to ourselves and to others, it would be more accurate to say that we are talking about our approximate recollections of books, arranged as a function of our current circumstances.
This, of course, is what makes talking about books interesting: we are not talking about books so much as we are talking about ourselves.
Related Books
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Time and the Art of Living
Robert Grudin
Short, almost journal-like essays on our relationship to (and against) time. In the aggregate, Grudin describes a means of living purposefully, experiencing what time we…
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How to Talk About Books You Haven’t Read
Pierre Bayard
Provocative, cheeky, and very French. The title belies the real subject, which is an argument against reading and for writing. The book that convinced me…
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