This is a necessary book for all white people.
This sequal to Parable of the Sower follows Lauren Olamina and her Earthseed community as it grows—and then is viciously assaulted.
Lauren Olamina lives in a walled neighborhood in Southern California; it’s dangerous to venture beyond the walls, where there’s little work, less food, and no law.
More than three decades after this collection was first published, it remains as critical, as relevant, as unremitting as ever.
This book has rewired my brain in ways I’m only just beginning to understand.
“We have not ended racial caste in America, we have merely redesigned it,” writes Michelle Alexander, in her damning history of mass incarceration.
A criticism of technology that puts the needs of humans ahead of the needs of technology.
A human envoy arrives on a planet known as “Winter.” His solitary mission is to welcome the people of Winter to a collection of planets, but to do so he must first find welcome himself.
Drones, haptics, ocular implants, virtual reality, climate change, nanotechnology, celebrity: like all of Gibson’s novels, The Peripheral is a novel of the future that’s entirely about the present.
“I never set out to write this book,” Mary Ruefle begins. And yet, she did write it, and that contradiction is the first of many.
In Scatter, Adapt, and Remember, Annalee Newitz argues that humans will need to build cities on the Moon and elsewhere if we are to survive. Octavia Butler’s fiction repeatedly turns to that potential future, and nowhere more provocatively than in this collection of novels.
This short book, a collaboration between literary critic Katherine Hayles and designer Anne Burdick, has a lot not to like. But even ten years after publication, the book’s exploration of the material nature of writing is interesting and as yet incomplete.
Bringhurst’s short essay meanders through the history of scripts and their varied forms, touching on the origins of their physical shapes as well as the political and social forces that impacted them along the way.
Almost certainly the greatest novel ever written, and an early precursor to postmodernism.
A series of essays from the author of A History of Reading that explores the reader’s perspective.
The original subtitle of this book defined it as “Imagination and the Erotic Life of Property,” which hints at the real message better than the revision: that real art, no matter the price, is always a gift from the artist to the audience.
“The editor, not the author, best understands the readership,” Plotnik says. “Authors know their subject. Editors specialize in knowing the audience.”
Personal musings on the life of the writer. Lamott is primarily a novelist, but I find her writing advice to be just as relevant to nonfiction.
A collection of essays written between 1949 and 1974, the year of Tschichold’s death.
Perhaps the only book I’ve discovered that carefully and thoroughly addresses the differences between oral and literate cultures.