Davis’ shorts are very short—sometimes only a paragraph—but they leave impressions larger than the tiny space they consume. The juxtaposition of bold, centered type and handwritten borders on the cover is a near perfect representation of the stories therein.
It is right that the murder of many people be mourned and lamented.
Even the best weapon is an unhappy tool.
What do they do, the singers, tale-writers, dancers, painters, shapers, makers?
Five principles for embracing uncertainty.
Where to give all your precious fucks.
Necessary writing about making a living world. Sign up for free, or become a sustainer.
subscribeOn Making a Career in Dictatorship and Bullshit Jobs
On Making a Career in Dictatorship
On Woman on the Edge of Time
On To Write Like a Woman and Why We Fear AI
In memory of Nevan Scott, 1985–2026
by Geoff Ryman
by Christian Gläßel and Adam Scharpf
by Marge Piercy
by Marge Piercy
by Ursula K. Le Guin