Robinson writes science fiction that aspires to be a New Yorker essay. This is not entirely bad.
The titles of the two parts of this selected edition of Le Guin’s stories are Where on Earth and Outer Space, Inner Lands—Le Guin leaves it to the reader to decide which of these is real and which unreal.
As he travels to Olondria to sell the family harvest, Jevick meets a young woman on the verge of death.
Mahit Dzmare is abruptly ordered to report for duty as the new ambassador to the Teixcalaan empire—with no word as to what might have happened to her predecessor.
When young Jonathan Strange sets it upon himself to become a magician, he ends up as Mr. Norrell’s only pupil—but it’s a dry sort of magic Norrell preaches, absent any of the mystery or terror of the old days.
Cass Neary needs to get home, but a string of suspicious deaths has accumulated behind her, and she isn’t sure where is safe.
“I was in a house with many rooms. The sea sweeps through the house. Sometimes it swept over me, but always I was saved.”
Objects are disappearing: not the things themselves, although that is soon to follow, but the memory of them, the recognition and understanding of what they are and have been.
In this sequel to the completely badass Gideon the Ninth, Harrow has become an immortal lyctor by consuming Gideon’s soul. Or has she?
Arriving on a distant planet in search of a sister ship that has disappeared, the crew of The Invincible discover a new form of life: tiny, autonomous robots that seem to have evolved into expert killing machines.
In Australia, a young boy escapes from the settler-run school where he and other children are trained for a life of enslavement.
Decades after a pandemic has ravaged the planet, a roving group of actors and musicians called The Symphony return to a small town and find that things are not as they were before.
Set in the Second Italo-Ethiopian War, The Shadow King centers Hirut, an orphan living as a servant in the home of Kidane, and his wife, Aster.
This latest tome from N. K. Jemisin tells the story of New York—specifically, of the six people who must become the city of New York in order to save themselves and their city from destruction.
In this sequel to The Peripheral, Gibson returns to a world with multiple futures, and a newly rewritten past.
Under the pseudonym James Tiptree, Jr., Alice Sheldon wrote dozens of award-winning and influential stories, some of the best of which are included here.
This is a story of the underground railroad, of memory, and of magic—all told with Coates’s exquisite prose.
This collection of shorts includes ghosts, flying machines, witches, ancient trees, and more than one impossible transformation.
This collection ranges across a wide territory in both place and time, but there are recurring themes: aging, mortality, endings and beginnings—extraordinary reflections on ordinary lives.
The cover blurb promises lesbian necromancers in space, and the pages within do not disappoint.