Kinross on the typographer’s bible:

For all its learning, for all the width of its reference, Bringhurst’s book lacked a critical or historical sense. In this vision, concentrated so exclusively on the well-resolved product and neglecting the dimension of process (and thus the unfinished, the disputed, the failed and discarded), there could be no power of explanation.

Kinross, Modern Typography, page 175

I love the language here. “The unfinished, the disputed, the failed and discarded” evoke the poor, the neglected, the tired and sick; he’s appealing to our sense of democracy. No government can succeed if it oppresses or ignores the majority of its people, just as no theory can be complete if it forsakes the process by which a work is created. Criticism does not admit of immaculate conception.